Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Home Music Janane Sethunarayanan impressed with her well-nuanced portrayals

Janane Sethunarayanan impressed with her well-nuanced portrayals

Janane Sethunarayanan impressed with her well-nuanced portrayals


Janane Sethunarayanan.

Janane Sethunarayanan.
| Photo Credit: K. Pichumani

The Music Academy has been organising HCL concerts to encourage talented artistes in the field of performing arts to showcase their skills. Its recent edition featured Bharatanatyam dancer Janane Sethunarayanan. She began her performance with Shanmuga Kavuthuvam in Gowlai raga set to Adi tala. Her subtle depictions of the mayil, vel and Kavadi, associated with the persona of Muruga, combined with dynamic adavus and vibrant footwork, were impressive setting the tone for the recital.

‘Mogalakiri konden’, a varnam composed by Sivanandam, of the Thanjavur Quartet, in raga Thodi, in praise of Rajagopalaswamy of Mannargudi, dealt with the bhava of a nayika pining for her lord. Janane explored this well by using elements such as clouds, birds, bees and animals as sancharis to convey her love for the lord. The portrayal of the magnificent form of lord Rajagopala was dealt with in detail, as Janane highlighted the beauty of the draping of the dhoti for the deity, and the exquisite jewellery that adorn him. . A little more emphasis on abhinaya would enhance her presentation. While her clear footwork and adavus made the jathi korvais stand out Janane needs to infuse more variety in the movement patterns especially in the theermanams, as they looked more repetitive.

In the padam ‘Unnai thoodu anuppinen‘ in raga Saveri, a musical prelude was used to convey the context of the padam clearly. . The transition in the mood of the nayika — from anticipating the arrival of the sakhi who had gone as a messenger to her lord, and the shock on noticing the dishivelled state in which she returns, to the anger and anguish, after realising what would have transpired between them — was communicated well by Janane.

The performance concluded with a thillana, composed by the legendary K.N. Dandayudhapani Pillai, and choreographed by Rakesh, who also wielded the cymbals.

The orchestra comprised Srikanth Gopalakrishnan on the vocals, Shivprasadh on the mridangam , Vishwesh Devarajan on the violin, Nagaraj on the flute.



Source link

Leave a Reply

Your email address will not be published.